AWNING ENCLOSURES

21.10.2011., petak

KIRSCH DRAPERY. KIRSCH


KIRSCH DRAPERY. SUN SHADES PATIO. FAIRY CANOPY BED.



Kirsch Drapery





kirsch drapery






    drapery
  • Long curtains of heavy fabric

  • The artistic arrangement of clothing in sculpture or painting

  • cloth gracefully draped and arranged in loose folds

  • Cloth coverings hanging in loose folds

  • curtain: hanging cloth used as a blind (especially for a window)

  • Drapery is a general word referring to cloths or textiles (Old French drap, from Late Latin drappus ). It may refer to cloth used for decorative purposes - such as around windows - or to the trade of retailing cloth, originally mostly for clothing, formerly conducted by drapers.





    kirsch
  • from fermented juice of black morello cherries

  • Brandy distilled from the fermented juice of cherries

  • Kirschwasser ( , , German for “cherry water”) is a clear, colourless fruit brandy traditionally made from double-distillation of morello cherries, a dark-coloured cultivar of the sour cherry. However, the beverage is now also made from other kinds of cherries.

  • Kirsch is a German surname. Notable people with the surname include: *Adam Kirsch, American book critic and writer *Brandon Kirsch, American football player *David Kirsch, a game developer *Delbert Kirsch, Canadian politician *Don Kirsch, American college baseball coach *Ernst Gustav Kirsch,











kirsch drapery - Why Trilling




Why Trilling Matters (Why X Matters Series)


Why Trilling Matters (Why X Matters Series)



Lionel Trilling, regarded at the time of his death in 1975 as America’s preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence—and to overcoming it.
By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling’s original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. Why Trilling Matters introduces all of Trilling’s major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today’s concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, “Trilling’s essays are not exactly literary criticism” but, like all literature, “ends in themselves.”










75% (16)





MAC Kirsch Mattene




MAC Kirsch Mattene





Love the MAC. Bored in my bathroom, had just bought Kirsch Mattene that came out with the Cult of Cherry collection. This is probably the only time I've even had it on... dark lipstick just makes me feel like a badly garbed goth. :( I hate that because I'd love to be able to pull it off.











Los Kirsch




Los Kirsch





from left to right: Marcos Kirsch, Jacobo Kirsch, Thelma Sandler, Moises Kirsch

Taken on October 22nd, 1980









kirsch drapery








kirsch drapery




A History of the End of the World: How the Most Controversial Book in the Bible Changed the Course of Western Civilization






"[The Book of] Revelation has served as a "language arsenal" in a great many of the social, cultural, and political conflicts in Western history. Again and again, Revelation has stirred some dangerous men and women to act out their own private apocalypses. Above all, the moral calculus of Revelation—the demonization of one's enemies, the sanctification of revenge taking, and the notion that history must end in catastrophe—can be detected in some of the worst atrocities and excesses of every age, including our own. For all of these reasons, the rest of us ignore the book of Revelation only at our impoverishment and, more to the point, at our own peril."
The mysterious author of the Book of Revelation (or the Apocalypse, as the last book of the New Testament is also known) never considered that his sermon on the impending end times would last beyond his own life. In fact, he predicted that the destruction of the earth would be witnessed by his contemporaries. Yet Revelation not only outlived its creator; this vivid and violent revenge fantasy has played a significant role in the march of Western civilization.
Ever since Revelation was first preached as the revealed word of Jesus Christ, it has haunted and inspired hearers and readers alike. The mark of the beast, the Antichrist, 666, the Whore of Babylon, Armageddon, and the Four Horsemen of the Apocalypse are just a few of the images, phrases, and codes that have burned their way into the fabric of our culture. The questions raised go straight to the heart of the human fear of death and obsession with the afterlife. Will we, individually or collectively, ride off to glory, or will we drown in hellfire for all eternity? As those who best manipulate this dark vision learned, which side we fall on is often a matter of life or death. Honed into a weapon in the ongoing culture wars between states, religions, and citizenry, Revelation has significantly altered the course of history.
Kirsch, whom the Washington Post calls "a fine storyteller with a flair for rendering ancient tales relevant and appealing to modern audiences," delivers a far-ranging, entertaining, and shocking history of this scandalous book, which was nearly cut from the New Testament. From the fall of the Roman Empire to the Black Death, the Inquisition to the Protestant Reformation, the New World to the rise of the Religious Right, this chronicle of the use and abuse of the Book of Revelation tells the tale of the unfolding of history and the hopes, fears, dreams, and nightmares of all humanity.










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